From Tema Okun (2022):
“[O]ur cultural dis-ease with truth telling, particularly when we are speaking truth to power. White supremacy culture encourages a habit of denying and defending any speaking to or about it. White supremacy culture encourages a habit of silence about things that matter and, as the collective of artists fighting the AIDS epidemic so wisely and succinctly said, silence=death.
Defensiveness shows up as:
- The organizational structure is set up and much energy spent trying to prevent abuse and protect power rather than to facilitate the capacities of each person or to clarify who has power and how they are expected to use it.
- Because of either/or and binary thinking, those in power view and/or experience criticism as threatening and inappropriate (or rude).
- People respond to new or challenging ideas with objections or criticism, making it very difficult to raise these ideas.
- People in the organization, particularly those with power, spend a lot of energy trying to make sure that their feelings aren’t getting hurt, forcing others to work around their defensiveness rather than addressing them head-on. At its worst, they have convinced others to do this work for them.
- White people spend energy defending against charges of racism instead of examining how racism might actually be happening.
- White people claim that participation in anti-racist activity means they cannot be racist or be engaged in racism; closely linked to individualism.
- White people targeted by other oppressions express resentment because they experience the naming of racism as erasing their experience; closely linked to either/or/binary thinking.
- An oppressive culture where people are afraid to speak their truth.”
What does denial + defensiveness look like in music education?
Manifestations
Where did you see this WSCC in your K-12 music education? Where did you see this in your preservice training program? How does this characteristic show up in your job requirements now? How does this characteristic show up in your standards? What behavioral management practices reflect this characteristic? How do your teaching practices perpetuate or challenge this WSCC? Try to be specific.
Remedies
What specific pedagogical tools have you used to challenge this characteristic? What repertoire or content could be incorporated to remedy this characteristic? What needs to change in music education culture or school culture in order to accommodate remedies for this characteristic? What do you wish you learned in your preservice program that would help you challenge this characteristic? How could remedying this characteristic benefit your students and their communities?
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